yusaku kamekura work

View all works. Two years after his first one-man show, he organized the famed Graphic '55 exhibition at the Takashimaya department store, introducing design into the vocabulary of the populace. Born April 6, 1915 in Yoshida Town, Nishikanbara District, Niigata Prefecture. The year’s most outstanding work is selected from all designs included in the yearbook, regardless of the designer’s age or career background. One of these contributions was the development of graphic design as a mainstream form of design in Japan. The Award was established in honor of JAGDA’s first president, Yusaku Kamekura (1915–1997). Permanent collection Paul Rand: His Work from 1946 to 1958, 1959. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. The simple geometry of the cherry blossom in the middle is easily recognizable and further brought out when pair His effort to introduce these new trends to the Japanese didn’t just stop at the work that he produce. See all formats and editions Hide other formats and editions. When world war II ended in 1945, Japan’s crushing defeat brought millions of its citizens to the brink of starvation, suffering, and labor unrest. In 1951, he found the first graphic designer’s group in Japan, JAAC(Japanee Advertising Artist’s Club). Sell art from your collection. Yusaku Kamekura (1915-1997) was one of Japan’s most prolific graphic designers. In 1955, he organized and took part in the graphic ’55 poster exhibition with designers including Paul Rand, introducing the word design to the populace. Kamekura sought to bring Japanese graphic design to the international scene with his unique blend of Bauhaus-influenced design mixed with traditional Japanese themes and aesthetics. It was surely created with his determination of pursuing the best of all. Personal Work. He would often incorporate photography into his work to contrast against his simple geometric forms and layouts. “Kamekura, Yusaku: YUSAKU KAMEKURA: HIS WORKS. There are 10,231 design works online. Kamekura went on to establish the Japanese Advertising Artist’s Club (JAAC) in 1951. “Kamekura was thrilled with the world,” said Ikko Tanaka. During this time was when Kamekura really cemented his unique take on graphic design and his understanding of the western styles of constructivism and Bauhaus. 9.75"x 10.25" Some water staining present, condition noted Yusaku Kamekura Alfred A. Knopf 1959 Paul Rand: His Work From 1946 To 1958 By Yusaku Kamekura: $500. The Palace Thief - Signed By Ethan Canin - First Edition Hardcover. Kamekura had organized a wide, open gallery of works from prominent designers from all over the world including Paul Rand. His use of color, while minimal, was bright and imaginative, especially when paired with his use of black backgrounds to bring out most of the color and the texture. Cart How I stumbled across a niche hobby I never knew existed: Drawing (and animating) in CSS. He tried to bring in this new concept of graphic design into the nation and propel the design industry in Japan. Because of this, he set out to push his understanding of what went into branding certain companies and used simple shapes with strong, geometric forms to create timeless pieces for various companies. Yusaku Kamekura. Overview. Yusaku Kamekura has 19 works online. Tokyo Olympics 1964 Design Guide Sheet: Download Recreated Vector Poster. Follow. Kamekura’s use of photography here was also a huge step in design everywhere because it was the first Olympic series branding to include real photographs instead of detailed illustrations. Consign with Artsy. Green cloth stamped in pink. Here, he learned much more about constructivism and Bauhaus directly and various methods of incorporating traditional Japanese themes into this distinctly western art style. On the contrast, the trademarks in Japan only followed the fashion but were not able to become classic and everlasting. Hello, Sign in. For the series, he would use photography to create an interesting and vivid contrast between the events and the Olympic rings. Following his brief freelancing period, in 1962 Kamekura would go on to set up his own design firm with all the attention he had garnered in the past decade. Right out of his education, Kamekura went on to study under the German-trained, Japanese photographer, Yonosuke Natori. 1959. Kamekura a First published in 1975, the slim paperback is the result of an offbeat collecting quest done by Japanese designer Yusaku Kamekura (1915-1997). following. Creation presented both vintage and contemporary design development around the wrold, expanding the world of Japanese designers with its high quality bilingual publication. This was crucial to iintroducenot only the concepts of international design to Japan, but also the larger concept of graphic design to the masses. After this project, Kamekura would continue his career focusing mostly on poster design. Bio Japanese, 1915–1997. He spent five years collecting 700 logos from across the world for his book Trademarks of the World, which was a standard book for the period published in 1956. Sell art from your collection. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. 3rd Japan Industry floating fair Kamekura, Yusaku Graphics. His unique began to attract attention from the world. Overview. He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. Account & Lists Account Returns & Orders. From 1978 to 1984, he devoted himself to the organization’s expansion, improvement and legal incorporation. The year’s most outstanding work is selected from all designs included in the yearbook, regardless of the designer’s age or career background. From the bottom of my heart, I thought: This is civilization, this is design, this is the joy of living.”. Born April 6, 1915 in Yoshida Town, Nishikanbara District, Niigata Prefecture. Kamekura had created corporate symbols and identities for a great number of well-established companies such as NTT(Nippon Telegraph and Telephone Corporation), Recuit, Nikon and Yamagiwa. His work would go to not only define Japan’s post-war, but also the general aesthetic as well as the ideals of the time. Kamekura’s forms and designs during this period continued to reflect his abstract take on design. He was outspoken, blunt, and straightforward, just as his work which always had a style of boldness, clarity and directness. 12 1959 Japanse tekst Kamekura, Yusaku Graphics. 132 pp. Find many great new & used options and get the best deals for Paul Rand: His Work from 1946 to 1958 by Yusaku Kamekura at the best online prices at eBay! His work is distinguished by its dynamic composition, technical expertise and visual inventiveness, making full use of photography, colour and geometric elements. Sofu Teshigahara, One Man Show, 1954 []. In 1978 he was also responsible for founding the Japan Graphic Designers Association (JAGDA) and served as president in an effort to bring many of Japan’s prominent designers together. Bidding closed. Condition A-: creases and minor tears at edges; minor creases in image. The period was the “revival” of Japan as an economic power and Kamekura set out to demonstrate this globalization with the use of constructivist style designs with this branding. Japan’s economy was focused very heavily on exports and people are more inclined to purchase things with good design. Since 1989, Kamekura has been the editor, cover designer, and organizer of Creation Magazine, a series of publications limited to twenty issues which focus on international graphic design, art, and illustration work by a variety of artists. 40 is an out-of-print and rare issue of a slim 54pp Japanese magazine from the 60s dedicated to all things design. This effort to bridge the gap between western and eastern design trends came following the Japanese defeat in WWII in 1945, which led to the Japanese combining and incorporating many western trends and influences into their society. Graduated from Nihon University Junior High School in 1933. It is no secret that Rand was a great admirer of Japanese design and would regularly remind his students that the Japanese were, in his mind, entirely unparalleled in the field. Description: YUSAKU KAMEKURA (1915-1997) & OSAMU HAYASAKI (DATES UNKNOWN) TOKYO / OLYMPIC GAMES. Idea Magazine, issue #25, 1957 Issue devoted entirely to the Japan Advertising Artists Club winning work from 1957, and an overview of work from 1953 to 1956. Tokyo & New York: Zokeisha & Alfred A. Knopf, 1959. Yusaku Kamekura was born in Niigata Prefecture, Japan in 1915. More about him: yusakukamekura.blogspot.com/ Tokyo 1964 As Japan began to adopt western modern social structures and rebuild country with fast aggressive pace and modern capitalism, the concept of graphic design also began to sprout and develop as a bi-product of Japanese modernization process. Yusaku Kamekura graphic design exhibition, International Design Center Nagoya by Yūsaku Kamekura ... a work of genuine scholarship, and a visual delight. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. 1964. Yusaku Kamekura’s design for the Olympic poster conveyed Tokyo’s ambitions: the five interlocking rings, topped by a huge red disc, the rising sun. Free shipping for many products! Title Personal Work Client Personal Work. The Award was established in honor of JAGDA’s first president, Yusaku Kamekura (1915–1997). W/ publisher's original glassine over jacket & cardboard slipcase. Known as the “godfather of post war Japanese graphic design”, Kamekura had always been trying to elevating the role of graphic designers in Japanese society and providing opportunities to talented young generations of designers. His posters often kept the traditional Japanese motifs and forms, but at the same time mixed with an internationally recognized use of image and concept, as he has once said that “we are responsible for first dissolving our traditions and then creating them anew.” When he worked for Nippon Kogaku(Nikon Cameras), his asymmetrical, flat, and simple posters with international style were widely used for Nikon’s advertisements. More work from this maker '79 the 9th annual Tokyo international lighting design competition Kamekura, Yusaku Graphics. Tokyo: Bijutsu Shuppan-Sha, 1971. He has chosen friends who are the formost figures in their professional fields such as Sofu Teshigahara, who was the flower arrangement master, and Ken Domon, who was the leading photographer in Japan. Kamekura was trained at the Institute of New Architecture and Industrial Arts (Shin Kenchiku Kogei Gakui), which was unique at the time due to it being a school built by a Japanese man, Ranahichiro Kawakita, and being heavily influenced by Bauhaus works. Perhaps most well known for his work for the Tokyo 1964 Olympics, he combined modernist principles and typography with the Japanese cultural heritage through the simplistic combination of the words "Tokyo 1964", the olympic rings and the sun from the Japanese flags. 40 is an out-of-print and rare issue of a slim 54pp Japanese magazine from the 60s dedicated to all things design. Yusaku Kamekura, born in 1915, played an important role in shaping the modern graphic design of Japan. Kelly, William W., and Susan Brownell. They were simple, yet powerful and clean-cut. Artworks. The Tokyo Olympic symbol is a powerful, concise design, while the posters capture the dynamism of athletes. Kamekura was born into a world at war, right in the middle of WWI. Quarto, publisher's forest green cloth, upper board blindstamped, spine stamped in pink, yellow endpapers, original illustrated dust jacket. Yusaku Kamekura (1915-1997) was one of Japan's most prolific graphic designers. Yusaku Kamekura (1915-1997) was one of the pioneers of Japanese graphic design who was at the forefront in promoting graphic design as an essential factor of modern society, culture and art, and whose achievements helped to establish the reputation of Japanese graphic design internationally. Living in this post-war age, Kamekura regarded the western culture as civilization and freshness. Yusaku Kamekura, born in 1915, played an important role in shaping the modern graphic design of J apan. Yale University, Council on East Asian Studies, 2011, elischolar.library.yale.edu/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1002&context=ceas_publication_series. View all works. Throughout the course of his life Kamekura was passionate and dedicated to design, as Shigeo Fukuda said, “he set out to make design a profession.”. He worked for a joint advertising office headed by Hideshige Ota for several months this year. “Company | TAIYO MACHINERY Co.,Ltd.” 日本語, www.taiyokikai.com/en/company/. Kamekura was a firm believer of only doing work for companies that he 100% agreed with, in a business sense as well as their ethics. Kamekura is best know for his graphic work for the Tokyo Olympic Games in 1964. “Yusaku Kamekura.” ADC • Global Awards & Club, 1993, adcglobal.org/hall-of-fame/yusaku-kamekura/.https://collection.maas.museum/object/349928, “社団法人 日本グラフィックデザイナー協会 JAGDA.” JAGDA:About JAGDA, www.jagda.or.jp/en/about/.https://medium.com/@kailindong/yusaku-kamekura-biography-8b15c3fcb0c7, https://www.famouslogos.net/yusaku-kamekura/. As he grew up and developed his interest in the expression of emotions as well as time through graphic design, the Bauhaus Movement was finding its way to Japan. “To communicate visual matters which often are remote, universal or complicated” was the task and goal that Kamekura had set for himself as a graphic designer. Skip to end of content Nikon SP, 1957. 132 pp. Notable Works. Bijutsu Shuppan-sha, 1971.) The typography takes a backseat to most of the poster, which is a common trend with most of Yusaku Kamekura’s works. Biography/Work Experience (1915 - 1997) Yusaku Kamekura studied principles of constructivism at the Institute of New Architecture and Industrial Arts, Tokyo, a private institute established and run by Renshichiro Kawakita with the aim of introducing Bauhaus design theories in Japan. From Rago/Wright, Yusaku Kamekura, Paul Rand: His Work from 1946 to 1958 (1959), Printed paper, 10 × 10 1/4 in Find many great new & used options and get the best deals for Paul Rand: His Work from 1946 to 1958 by Yusaku Kamekura at the best online prices at eBay! Kamekura valued fair-play, and recognized the talent in a young designers at first glance. Before Japan opened to the western culture and adopted the western political and social structure, the nation was dominated by traditional fine art which was mainly used for decoration. When he was seventeen, he took his first assignment when he designed the Japanese edition of Antoine de Saint-Exupery’s Night Flight, and he knew that he wanted to become a graphic designer. The text, especially prepared for a Western audience, invites the attention of all those interested in Japanese culture. In his late years, Kamekura was still working on promoting the reputation of Japanese design worldwide. While carrying on the traditional Japanese expression and iconography, Kamekura adopted constructivism, firm design theory, and the simplicity of modernism. Title Personal Work Client Personal Work. Graduated from Nihon University Junior High School in 1933. Follow. True. There are 10,231 design works online. Toppan Printing Co., Ltd. This award was established with a grant from his bereaved family. He also worked for Yonosuke Naroti after graduation, whom was a Japanese photographer trained in Germany. He was a pioneer of graphic design in Japan, and founded the Japan Design Center in 1960. Notable Works. There are 6,128 graphic design works online. The two designers first met in 1954, after which Gropius and Bauhaus Exhibition, 1954 Square quarto. This project was an essential metaphor for the combination of western design trends with styles and symbols of the Japanese aesthetic. After the war, Kamekura began his professional design career and moved into the field of corporate symbols and posters. Yusaku Kamekura has 19 works online. But the President of the Japan Graphic Designers Association, Inc. (JAGDA) Yusaku Kamekura has accomplished this … Paul Rand: His Work From 1946 To 1958 By Yusaku Kamekura: $500. Kamekura sought to bring Japanese graphic design to the international scene with his unique blend of Bauhaus-influenced design mixed with traditional Japanese themes and aesthetics. Yusaku Kamekura, born April 16, 1915, was a prominent designer of the post-war period. There are 6,128 graphic design works online. The symbol and poster designs for the 1964 Tokyo Olympics were Kamekura’s best-known work. As he displayed those boxes on the shelf, he felt “as though a fresh air of civilization and culture was suddenly filling my room. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab As Japan’s economy grew, so did their need for excellent branding and packaging designers. Page 1 of 1. Cart Price New from Used from Hardcover "Please retry" $99.99 — $99.99: Hardcover $99.99 3 Used from $99.99 1 Collectible from $300.00 The Amazon Book Review Book recommendations, author interviews, editors' picks, and more. Yusaku Kamekura Design Award Awarded to the year's most outstanding work and its creator. by Yusaku Kamekura (Editor) 5.0 out of 5 stars 3 ratings. His breakout design performance was definitely his work on all of the posters done for the Tokyo Olympics posters done in 1964. His designs included a wide diversity of projects such as logos, packages, books, and page layout, but … Page 1 of 1. As Japan underwent a huge period of growth through export, design played a key role in the surge of commerce and advertising. Yusaku Kamekura. 1960. View Yusaku Kamekura’s artworks on artnet. Kamekura had always been seeking for new ideas and new materials in design, like what he once said “design lives for its freshness.”, Explain By Example: Designing Production Systems, Design System for dummies, create your own flavor of React Native app in 3 easy steps, AMA with Alissa Briggs, Director of Design, Trailblazing Architects Inspire Future Design Leaders, Designing for wellbeing in times of change. Title Personal Work Client Personal Work. Kamekura is best know for his graphic work for the Tokyo Olympic Games in 1964. 3. In terms of his personal life and interests, He has said that he is a huge fan of anything regarding sports or athletics. Title Graphic Design Today, 1990 Client Personal Work. See all formats and editions Hide other formats and editions. yusaku kamekura In tribute to graphic designer Yusaku Kamekura who passed away suddenly in 1997, a prize in his name was established in 1999 as a contribution to the development of the graphic design industry. 40 1/2x28 1/2 inches, 103x72 1/2 cm. 150 plates, 31 in color. Free shipping for many products! Skip to beginning of content. (Yusaku Kamekura: His Works. 1. More about him: yusakukamekura.blogspot.com/ Tokyo 1964 Artworks. Text by Yusaku Kamekura, 1962 Design 11 No. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. The Yusaku Kamekura Design Award was established to honor achievements of the late Mr. Yusaku Kamekura, the first President of JAGDA, who had a continued influence on the designers’ community around the world, and to seek further development of graphic design. When he designed the famous Hiroshima Appeals poster of 1983, Kamekura explained his thought process behind the peace poster: “skeletons and nuclear mushroom clouds are beautiful and frightening. Exhibitions, original artworks, the latest news, and the progress Japan. Design and modernist furniture magazine which he served as the lead art director for until the of!, 1915, played an important role in shaping the modern graphic design Today 1990! And administration of the Japanese ideals of graphic design in Japan following his death right in 1960s! Across a niche hobby I never knew existed: Drawing ( and animating ) in yusaku kamekura work of sports... 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Hideshige Ota for several months this year, _____ sought both unified dynamic harmony and relationships among elements... I wondered what I could make that had the power of an Olympic poster until 80 were. Said Ikko Tanaka cloth, upper board blindstamped, spine stamped in pink, yellow endpapers original!, JAAC ( Japanee advertising artist ’ s most prolific graphic designers across a niche hobby I never knew:. Simplicity of modernism, 1962 design 11 No blindstamped, spine stamped in pink, yellow endpapers, original dust... His career focusing mostly on poster design for the series, he was focused very heavily exports. Design played a key role in shaping the modern graphic design into the and... The modern graphic design in Japan began to document the international event that Japan participated and the Olympic.! Of pursuing the best of all those interested in Japanese culture by western industrial design the... ( ADC ) vivid contrast between the events and the progress that was. 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Note: content of biography … text by Yusaku Kamekura ( Editor ) 5.0 out of 5 stars ratings. From Nihon University Junior High School in 1933 's original glassine over jacket & cardboard slipcase 3rd Japan industry fair!

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